In 1978 historian Joseph Wall wrote that Iowa was “still seeking to assert its own identity. . . . It has no real center where the elite of either power, wealth, or culture may congregate. Iowa, in short, is middle America.” In this collection of well-written and accessible essays, originally published in 1996, seventeen of the Hawkeye State’s most accomplished historians reflect upon the dramatic and not-so-dramatic shifts in the middle land’s history in the nineteenth and twentieth centuries.

Marvin Bergman has drawn upon his years of editing the Annals of Iowa to gather contributors who cross disciplines, model the craft of writing a historical essay, cover more than one significant topic, and above all interpret history rather than recite it. In his preface to this new printing, he calls attention to publications that begin to fill the gaps noted in the 1996 edition.

Rather than survey the basic facts, the essayists engage readers in the actual making of Iowa’s history by trying to understand the meaning of its past. By providing comprehensive accounts of topics in Iowa history that embrace the broader historiographical issues in American history, such as the nature of Progressivism and Populism, the debate over whether women’s expanded roles in wartime carried over to postwar periods, and the place of quantification in history, the essayists contribute substantially to debates at the national level at the same time that they interpret Iowa’s distinctive culture.

Iowa six-player girls’ basketball was the most successful sporting activity for girls in American history, at its zenith involving more than 70 percent of the girls in the state. The state tournament was so popular—regularly drawing fifteen thousand fans, more than the boys’ tourney—that officials declined a lucrative broadcasting offer from ABC’s Wide World of Sports rather than forfeit the Iowa Girls’ High School Athletic Union’s control of the game. The Only Dance in Iowa chronicles the one-hundred-year history of this Iowa tradition, long a symbol of the state’s independence and the people’s rural pride. Max McElwain shows how, well before the passage of Title IX in 1972, Iowa six-player girls’ basketball was, as Sports Illustrated gushed, “a utopia for girls’ athletics.” He also demonstrates how, ironically enough, the fallout from Title IX in many ways led to six-girl basketball’s demise.

 

Through interviews, careful ethnography, and detailed historical analysis, McElwain exposes the intricate political, sociological, and historical dynamics of this cultural phenomenon. His book reveals how six-girl basketball, flourishing with the passionate support of Iowa’s small towns, school districts, and media, came to represent the state’s strong traditional beliefs and the public school system’s determination to maintain its identity in the face of national educational trends. The Only Dance in Iowa is as much a study of this disappearing culture as of the game it claimed as its own.

Fearing the rapacious power of Chicago’s railroad system in the mid-1900s, Iowa Central Railway supporters fought for a north-south route across the state that would link Minneapolis and St. Paul with St. Louis. Such a route would put the needs of Iowa’s citizens first and provide transportation for the state’s agricultural and industrial trade. 

Analyzing the origins, growth, and eventual dismantling of the Iowa Central Railway, which traversed the state from Ackley to Zearing and Mason City to Marshalltown, Don Hofsommer examines how this unremarkable, “plain vanilla” railway was an example of the life cycle of the American railroad industry. The Hook & Eye demonstrates its symbiotic relationship with its customers. Born in ambition but never rising far above its obscure origins, the Iowa Central eventually fell to outside competition from railroads based in greater metropolitan areas and was made part of the Minneapolis & St. Louis Railway in 1912. 

Drawing the story from station records, annual reports, newspaper articles, and interviews with former employees, The Hook & Eye brings both the industry and human sides of railroading into sharp and memorable view. 

Don L. Hofsommer is a native Iowan and professor of history at St. Cloud State University.

In The Emerald Horizon, Cornelia Mutel combines lyrical writing with meticulous scientific research to portray the environmental past, present, and future of Iowa. In doing so, she ties all of Iowa's natural features into one comprehensive whole.



Since so much of the tallgrass state has been transformed into an agricultural landscape, Mutel focuses on understanding today’s natural environment by understanding yesterday’s changes. After summarizing the geological, archaeological, and ecological features that shaped Iowa’s modern landscape, she recreates the once-wild native communities that existed prior to Euroamerican settlement. Next she examines the dramatic changes that overtook native plant and animal communities as Iowa’s prairies, woodlands, and wetlands were transformed. Finally she presents realistic techniques for restoring native species and ecological processes as well as a broad variety of ways in which Iowans can reconnect with the natural world. Throughout, in addition to the many illustrations commissioned for this book, she offers careful scientific exposition, a strong sense of respect for the land, and encouragement to protect the future by learning from the past.



The “emerald prairie” that “gleamed and shone to the horizon’s edge,” as botanist Thomas Macbride described it in 1895, has vanished. Cornelia Mutel’s passionate dedication to restoring this damaged landscape—and by extension the transformed landscape of the entire Corn Belt—invigorates her blend of natural history and human history. Believing that citizens who are knowledgeable about native species, communities, and ecological processes will better care for them, she gives us hope—and sound suggestions—for the future.